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It
sits atop the highest point of the Castagnola promontory and is bordered on
the south by the little 12th-century Romanesque church of San Remigio and to
the north by the Villa Taranto
Botanical Gardens. Set in beautiful grounds, it was conceived with the idea of
fusing architecture and nature which reflected the ideals and the aspirations
of its owners, the Irish painter Sofia Browne and the Neapolitan poet and
musician Silvio Della Valle di Casanova. The couple, influenced by Romantic
trends popular at the end of the century, wanted to re-create the atmosphere
of the great Italian Renaissance and baroque villas of the past. A chalet
which was originally built on the site by the Browne family in 1863 was
transformed and enlarged in the years 1903-1905 with the result being the
impressive villa that can be seen today. The edifice has an articulated plan
with the main hall located in the central part of the villa and flights of
steps on both sides of the building lead up to the entrances. The most
important rooms are the arms room and the music room. There is also a Gothic
room and a study devoted to the classics. Valuable furnishings and fittings,
some added recently, include decorative door frames,
cornices, fireplaces and wooden ceilings. The facade is Lombard baroque in
style as can be seen in the prominent cornice and the windows crowned with
triangular and curved gables. Wrapping around the northeast and southeast
sides of the villa is a balcony from
which incomparable views of the
lake can be enjoyed. Underneath the balcony a gallery with portico carved out
of rock serves as a winter garden. Among the other buildings located on the
grounds of the San Remigio complex it is worth mentioning the "art
studio" built in 1896 in a vaguely medieval style, the stables, the mock
18th-century gatehouse and the family chapel built in 1898 on an outcrop of
rock overlooking the lake. Famous guests have included Gabriele D'Annunzio and
the Futurist artist Umberto Boccioni, whose last paintings were of Lake
Maggiore.
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